Zoë Kontes |
Immersion in Greek sculpture, architecture, painting, coinage,
vase paintings, and epigraphy from the middle of the fifth century
B.C.E. to the second century C.E. helps students discover the sights
and traditions of a distant past. In the process, they learn to
formulate ideas about everyday Greek life and the average person's
place in it.
Zoë Kontes, a visiting professor from Brown University, says she
uses the class' survey of archaeological remains from the Classical
to the Greco-Roman period to get her students thinking about "the
function of the object or building, and how we know that; the date
of the object, and how we know that."
Readings are purposefully drawn from both archaeological and art-historical
perspectives, Kontes says, noting that scholars in the two fields
analyze and interpret the same ancient remains very differently.
To drive the point home, she assigns writing projects that require
students to assume one role or the other in evaluating a piece,
so that they begin to gain an understanding of how perspective
may affect interpretation.
"Students [will] get the sense that you don't believe everything
you read, because there's usually not just one opinion about anything
that has to do with studying archaeology," she says. In one
assigned article, for example, an archaeologist described a tomb
excavation in Macedonia and claimed that it was the tomb of King
Phillip, the father of Alexander the Great. Other articles challenged
this claim, and Kontes had students debate the merits of competing
claims in their postulations about this find.
She also stresses to students that history is continuously being
updated, reinterpreted, and reconstructed as new excavations are
reported. It's important for students to recognize that they "can
come up with an opinion that's as reasonable as anybody else's," she
says. Her aim is to give them the analytical tools with which to
start.
There's a more subtle agenda, as well: instilling an appreciation
for ancient Greek culture and art, as well as for archaeological
finds, "which have a lot of connections to our modern culture," Kontes
says. In addition to recognizing the artifacts' influence on modern
architecture and art, students are encouraged to debate their placement
and treatment in contemporary society. One class discussion concerns
the Elgin Marbles, which were removed from the Parthenon in Athens
and taken to England by Lord Elgin in the early nineteenth century,
and the question of whether they should be returned to Athens or
remain in the British Museum.
Professor
Zoë Kontes earned a B.A. in classics from Bowdoin College in 1996,
and received her Ph.D. from Brown University in archaeology in
2004. She spent three years studying in Athens, and has worked
on excavations in Italy and Greece. She is currently a visiting
assistant professor and director of the introductory Latin program.
Prerequisites
None
Readings
Weekly readings from textbooks and art historical and/or archaeological
texts and journals
Assignments
Three papers (two short and one longer research paper)
Three exams
--Lynne Evans '08 |