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| Photo:
Jim Wallace |
"Shakespeare on the iPod, calculus on the iPod," Peter
Jennings quipped last fall at the end of an ABC TV news report
featuring Duke.
Jennings was musing on Duke's decision to issue Apple Computer
Inc.'s iPod digital music players to every member of the freshman
class in hopes of harnessing a new medium for class and campus
life.
"We wanted to show ourselves to be adventurous in the area
of the utilization of technology in teaching and learning," Duke's
provost Peter Lange said about the iPodding of the Class of 2008. "The
iPod is such a pop-culture phenomenon that we wanted to see if
there was a way to use it to enhance the academic experience," Tracy
Futhey, head of Duke's Office of Information Technology, told USA
Today.
ABC and USA Today weren't the only news media to notice that the
iPod phenomenon of techno-chic and mega-profitability was taking
an intriguing turn toward the elite academics and prestigious reputation
of a university such as Duke.
"Dude, I just got a free iPod!" MTV News began its report
on Duke's program. "The 'kudos factor' is unmistakable on
campus," a BBC TV reporter pronounced. And a CBS News segment
cut from a scene of Duke students demonstrating an engineering
experiment with iPods to a flurry of lights and rock music at an
event in California where Apple CEO Steve Jobs and Irish rocker
Bono introduced the "U2 iPod."
"It was sort of an iPod moment," says Steven Levy, chief
technology writer for Newsweek and author of a cover story, "iPod
therefore i am," that came out a week after Duke announced
the program. "If you're going to make a timeline of important
iPod events, the Duke purchase would definitely be on it."
"People have accused us [of] or admired us [for] having been
either incredibly manipulative or prescient with regard to the
publicity that it got for Duke," Lange says. But "the
one thing we most clearly did not anticipate was the degree of
attention and publicity we got from the iPod experiment."
The cause for all the attention was Duke's deal with Apple to buy
1,800 iPods--enough for all 1,650 members of the Class of 2008,
plus 150 extras to loan staff and upperclassmen involved in the
program--in exchange for help from the company in adapting this
new generation of Walkman to the classroom. It was the first deal
of its kind for Apple, as well as Duke. The purchase price was
kept confidential, but Duke's cost for the entire program--the
iPods engraved with the Duke shield, additional technical staff,
and supporting equipment--was announced: $500,000, drawn from a
university fund designated for technology innovation.
The idea was that iPods could be used to record lectures, store
computer files, and listen to course-related audio segments. The
university even set up a website with the idea of posting talks
given on campus, which anyone at Duke could then download and listen
to at their leisure. But Duke's efforts to surround the iPod with
an aura of academic seriousness are being played out against the
powerful image created and backed by Apple's marketing muscle:
iPods as sleek, sexy, must-have gizmos for pumping out music--rock
music, really, if you've watch the ads with the gyrating silhouettes.
How is Duke going to "deal with the perception that one of
the country's finest institutions -- with selective admissions,
a robust enrollment, and a plush endowment -- would stoop to a
publicity ploy?" wondered an editorial in Inside Higher Ed.
Yann Chong Tan '08 says that even some of her friends back home
in Singapore who wished they could have gotten in on the high-tech
giveaway "see it as a publicity stunt."
The Chronicle was more pointed. In an April 11 editorial, the student
paper declared, "The University seems intent on transforming
the iPod into an academic device, when the simple fact of the matter
is that iPods are made to listen to music. It is an unnecessarily
expensive toy that does not become an academic tool simply because
it is thrown into a classroom."
Toy or tool? That's what a committee of faculty and administrators
tried to discern last spring. After an evaluation of the iPod project,
they decided not to supply every freshman with an iPod this fall.
(Sorry, Class of 2009.) Instead, only students taking classes that
officially require the device will be issued one. (It will be theirs
to keep.) There are more than thirty such courses this semester--including
Spanish 1, the "Portraying America" writing course, "Intro
to Jazz," and "Principles of Computer Science"--that
are using some 700 new iPods.
The decision to make iPod distribution course-specific was based,
in part, on a report by Duke's Center for Instructional Technology.
The center found that only forty-eight of the approximately 2,000
courses offered last year incorporated iPods into assignments.
By way of comparison, 1,150 Duke classes last fall used another
technology, a course website provided through the university's
online course management system.
However, a survey in the report showed that three-quarters of students
in the Class of 2008 used their iPods at least once for class,
mostly for recording lectures or transporting computer files. The
report found that the other main academic uses of the iPod were
distributing audio materials, such as famous speeches; recording
interviews and field notes; and facilitating oral exercises, such
as repetition of Spanish vocabulary words.
There's no doubt students use their iPods, if not always for class.
Walking around campus it's easy to pick out the telltale white
ear buds. Next to the cell phone, the iPod has become the most
visible digital device sticking out of students' pockets, purses,
and backpacks.
Walking across the East Campus Quad, Jeff Smith '08 is tuned into
Ben Harper's folksy "Brown Eyed Blues." Michael Schapper
'08, finishing a sandwich in the Great Hall, says he's playing
hip hoppers "Black Eyed Peas." A stationary cycling class
in the Wilson Recreation Center pedals to a mix of songs programmed
into the instructor's iPod. Aboard a women's crew scull, a coxswain
records her calls on an iPod sealed in a zip-lock bag, so that
her coach can critique her later.
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